15 Sequels Better Than the Original

After I saw the terrific "Alien: Romulus" last week, I began to think about movie sequels that are actually better than the original film.

Now, my thinking gets complicated here (because I am an idiot, and I always make things harder than they should be) and because I actually DON'T think that "Alien: Romulus" is better than the original "Alien."

However, I DO think that it's better than "Aliens," the second film in the series which - bear with me - most people think is better than the original, which got me to thinking about movies that are better than the ori.....oh, hell...you get what I'm trying to say here!

Note, this list isn't restricted to just "Part 2's." There are titles from series that include many sequels and high number counts. In those cases, I include the the very best entry of the series, but it has to be better than the original (again, I'm needlessly complicating things again).

Anyway, I put together a list of "15 Sequels Better Than The Original" and here it is

(in no particular order):

1) DUNE PART 2 (2024)

The best film of 2024 so far (I really can't imagine that another 2024 film will top it), Denis Villeneuve's extraordinary continuation of Frank Herbert's classic novel is filmmaking of the highest order.

When people talk about big budget, action/adventure, tent pole, franchise, Hollywood movies, this is the Gold Standard that every single release in that genre should be compared to.

It's also much more than that, and is one of the finest examples of important cinematic art (on every single level) mixed with commercial sensibility. A masterwork.

2) MISSION IMPOSSIBLE: FALLOUT (2018)

Here's the deal, the "Mission Impossible" film series is amazing. It's a series in which every single entry is great, and they seem to just keep getting better which each release.

As incredible as each film is, this one, the sixth entry in the series, is absolutely the best.

Loaded with brilliantly staged and executed action sequences, jaw-dropping stunts, and enough plot twists to keep you on the edge of your seat, director Christopher McQuarrie's sublime work here is not only exciting on the simplest of levels, it is also a masterclass in the art of filmmaking.

And Tom Cruise is nuts...and I mean that in the best possible way.

3) SPIDER-MAN 2 (2004)

Sam Raimi's insane, extraordinary, and ridiculously entertaining masterpiece is easily one of the best comic book movies ever made (in fact, is was my favorite comic book movie of all time, until a certain film, that appears later on this list, was released in 2017).

It fulfills all of the requirements of a fun, escapist, action-hero epic, while also being an example of a commercial movie in which the director keeps his crazy independent spirit and personality alive.

A stunning piece of work that also contains one of best villain performances of all time by the great Alfred Molina.

4) MAD MAX: FURY ROAD (2015)

Please.

5) STAR TREK 2: THE WRATH OF KHAN (1982)

This might be the granddaddy of the whole "sequel is better than the original" thing.

The first "Star Trek" movie from 1979 was a bit of a disaster and quite a slog to sit through. But, when Nicholas Meyer (who was coming off of the brilliant sci-fi romance "Time After Time") came in and injected life into the proceedings, things changed completely.

The result is a film that is not only a terrific example of great science-fiction, but also manages to be faithful to the spirit of the TV series, while showcasing state-of-the-art special effects and brilliant ideas.

Also, it simply kicks ass, Ricardo Montalban rules, and Shatner has never been more....Shatnery.

6) DOCTOR SLEEP (2019)

It's better than "The Shining." Yeah...I said it. It's better than "The Shining." Yeah...I said it again.

Mike Flanagan's absolutely brilliant adaptation of Stephen King's novel not only manages to stay faithful to the book, it also stays faithful to Kubrick's 1980 film version of "The Shining," which was NOT at all faithful to Stephen King's book.

It's a juggling act of monumental skill, and "Doctor Sleep" is clever, brutally effective, and scary as hell. It is a much more satisfying experience than Kubrick's rather dull, leaden and simplistic take on King's material, material Kubrick completely misunderstood.

Don't get me wrong, I enjoy the hell out of the sheer goofiness of "The Shining," but "Doctor Sleep" is a thousand times better, explores the themes (specifically about alcoholism) that seemed to completely allude Kubrick.

It also features an incredible, sexy, terrifying performance by the great Rebecca Ferguson that has to be seen to be believed.

7) BATMAN RETURNS (1992)

Tim Burton's follow-up to his 1989 mega-hit is a MUCH better film than the original because it's actually a true "Tim Burton Movie," while the first film was Burton attempting to make an impersonal comic-book film.

"Batman Returns" is loaded with incredible action, scary sequences, gross-out humor, and more.

It is also a GREAT Christmas movie (I watch it every year during the holidays), and a heartbreaking tragedy (the Penguin story line is devastating). The Batman/Bruce Wayne character is much more interesting (Michael Keaton seems much more invested here), and Christopher Walken rules.

But, more than anything else, it is a massive showcase for the unbelievable Michelle Pfeiffer, who is not only extraordinary in the film, but she is, without question, the best Catwoman EVER.

8) DIE HARD 2 (1990)

Yeah, that's right, I think that "Die Hard 2" is better than the original, and I make no apologies for it!

Renny Harlin's magnificently over-the-top-everything-but-the-kitchen-sink sequel starts out as an "11" on the insanity scale of 1 to 10, and never, ever wavers.

The movie takes the "Die Hard" basic premise of wrong guy, in the wrong place, at the wrong time, and launches it into the stratosphere with some of the most creative and beautifully executed action sequences ever filmed.

The performances match the craziness of the script, and Harlin's brilliant direction is the Gold Standard by which most action films should be measured. This is technique of stunning confidence and giddy effectiveness.

It's one of the best action films ever made, filled with excitement, surprises, and brutally funny moments. I LOVE this movie.

9) THE BRIDE OF FRANKENSTEIN (1935)

It's not hyperbole to say that this is simply one of the greatest films ever made.

James Whale's extraordinary follow-up to his extraordinary original "Frankenstein" is a more personal, effective, and emotionally devastating work. It's just breathtaking on every single level, and it makes me cry every single time I watch it.

I also think that it's the best of the Universal Monster classics, and that's saying a lot, since the Universal Monster movies are among the best films ever made.

10) BILL AND TED'S BOGUS JOURNEY (1991)

Funnier, smarter, and much more imaginatively made than the original, this very entertaining sequel has everything you want from a Bill and Ted movie, and more.

Alex Winter and Keanu Reeves (who had an INCREDIBLE 1991, in addition to this, he also appeared in "My Own Private Idaho," and "Point Break" that year.....yeah, WOW) were both awesome, and the addition of William Sadler as Death was pure genius.

Unabashedly entertaining and one of the best sequels of all time.

11) INDIANA JONES AND THE TEMPLE OF DOOM (1984)

The best of the Indiana Jones movies, by far, and one of Spielberg's slickest and most competently made films.

The action sequences are bigger and better, the set-pieces are more imaginative, the disturbingly dark tone is more complex, and the body count is even higher than the first film.

Another treat is that it opens with a truly great musical number, and we'd have to wait another 35 years or so before Spielberg made a proper musical with is amazing version of "West Side Story."

Also, it's the last good film in the series, as the next three entries all sucked.

12) DAWN OF THE DEAD (1979)

George Romero's first sequel to his seminal masterpiece "Night of the Living Dead" is not only a better movie, but it is, without question, the best zombie film ever made.

I won't go on and on about why it's one of the greatest films ever made, but I will say this: Romero was a genius and this is horror at its best and social satire at its finest. It is simply is a work of art that will live forever.

13) EVIL DEAD 2: DEAD BY DAWN (1987)

This is the second Sam Raimi movie on this list. What can I say, the guy likes to top himself.

The original "Evil Dead" is one of the most brutal, terrifying, gross, and effective horror films of all time. It is also a sterling example of independent filmmaking (released long before it was hip to be an independent filmmaker), featuring wonderful, cost-effective technique, combined with grand imagination and style.

This sequel is all of that and more, only A LOT funnier, and more consistent with the work that Raimi would do after this movie was unleashed onto the public.

This is a true classic in the horror genre (the best film of this entire franchise), and a wildly entertaining film that people watch over and over and over again.

It also gave us the true version of the legendary character of Ash Williams, the hapless, hilarious and wondrous dude played by the one and only Bruce Campbell.

A landmark film....seriously.

14) LOGAN (2017)

The best comic book movie ever made, because it's not really a comic book movie.

James Mangold's astonishing continuation of The Wolverine saga is exceedingly clever, dark, complex, exciting, and it plays like modern day Western.

Featuring superlative performances by Hugh Jackman, Dafne Keen, and Patrick Stewart, great action sequences, and a truly heartbreaking, devastatingly effective ending (that, of course, was crapped all over the by the morons who made the unspeakable "Deadpool and Wolverine"), this is commercial filmmaking at its finest.

15) GREMLINS 2: THE NEW BATCH (1990)

Joe Dante's insane, wild, out-of-control sequel to "Gremlins" is better in every possible way to the original (and I love the original). Dante's unapologetic love for all things goofy, silly, and shamelessly cartoonish dominates this film in masterful fashion.

It takes the basic "weird creatures, weird rules" premise from the original, and turns it into a brutal satire of New York, greed, and politics (John Glover is basically playing Donald Trump, back when Trump was just a greedy, moronic real estate tycoon who attempted to ruin New York City, not the entire world).

It is also a proud, rolling, relentless 106 minute live-action "Looney Tunes" cartoon with some of the most ridiculous jokes, gags and deep references ever included in a big budget tent pole sequel.

It's absolute and complete madness... and it absolutely and completely rules.

So, that's my list of 15 sequels (also available on my Letterboxd) that are better than the originals. Check them out and enjoy!

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"DEADPOOL & WOLVERINE" - As Bad As Bad Movies Get...Only Worse.

(Although I hated every single frame of "Deadpool & Wolverine," I wouldn't spoil it for anyone who wants to flush their $15 down the toilet by seeing it. So, NO SPOILERS)

Look, if you know me, or have followed me for any given amount time, you know that I couldn't possibly care less about comic book movies. You can take your DC's, and your Marvel's, and all of your Universes, and pretty much keep them. I just don't care.

I can count on one hand the truly great films that have come out of those genres/worlds, and maybe another hand to count the films that are just good, and that's about it.

I find most of them to be mediocre entertainment at best, idiotic nonsense at worst, and absolutely cynical, money grubbing rip-offs, ALL the time.

Figuring out ways to suck more money from people's wallets seem to be the only reason these things exist. Characters get killed off and brought back, timelines get mixed up and changed, solely to make sure the suckers come back for the next installment.

I realize that this is a common practice in comic books, but it doesn't make it good, or justify the insanely lazy writing and lousy film making. I absolutely agree with filmmakers like Martin Scorsese, Francis Ford Coppola, Jodie Foster, and many more, who have likened these movies to soulless theme park rides, that come directly off of conveyor belts, and not from any true cinematic expression.

This has been an accepted criticism of these types of movies for a while, and in some way to blatantly confront the criticisms and clichés of these movies, along comes the Deadpool character and movies.

From my seat at the press screening of "Deadpool & Wolverine." At this point the dread I felt was palpable ....and I wasn't wrong.

This smartass alter-ego of human Wade Wilson, has regenerative healing powers, superhuman strength, and master marksman skills, and was created for the comics in 1991. Deadpool has slowly become a rebel who makes running commentary about the very things I just mentioned.

After a few cameos and appearances in other films, Deadpool finally got his own movie franchise featuring the predominantly annoying, always smug, Ryan Reynolds, as the modern anti-hero who breaks the fourth wall and makes jokes directly to the audience.

Your fondness for this character depends almost entirely on your patience with the gimmick, your tolerance of Reynolds, and your appreciation of the humor.

Well, I possess NONE of those things: I think the gimmick is tired and lame, I can't stand Reynolds, and, simply put, the shit isn't funny.

But, people (inexplicably) love this stuff, which is why we are now being subjected to a third Deadpool movie, and in this one, they drag Wolverine into the mess.

Here's me at the "L" stop before the screening....

Ryan Reynolds (who is now a producer, and one of the six writers...yes, it actually took SIX people to write this garbage) returns to spout more wanna-be-snappy, giggly, dirty little one-liners that acknowledge the flaws, the clichés, and plots of the MCU, all while winking at the camera, and trying to execute the very crap he is making fun of.

Well, you can't have your cake and it eat too, especially when the cake is spoiled and over-baked.

The desired shock you are supposed to feel when Deadpool rips apart Disney, or Fox, or the MCU (or actors' previous roles, real-life relationships, etc.) NEVER happens because:

1. The material isn't remotely funny.

2. The level of the humor never rises above the second grade

3. Reynolds is one of the most annoying actors to ever be on camera

4. It's incredibly lazy nonsense that wore out it's welcome about 10 minutes into the first movie. Unfortunately, there were about two hours that followed that 10 minutes, and there have now been two long, desperate movies after that.

Hugh Jackman shows up, and gets a paycheck. He does try, but even an incredibly gifted performer like Jackman can do absolutely nothing with this horrible material and seems stranded in snark-land with Reynolds and his cohorts, who include director Shawn Levy.

Levy is one of the worst, soulless, and least talented directors of Hollywood slop that has ever existed (his pathetic credits include: "Free Guy," the "Night at The Museum" movies, "The Internship," "Date Night," "The Pink Panther" (w/Steve Martin), "Cheaper by the Dozen," "Just Married,"...I could go on, but I won't), and his handling of the leaden humor, is almost as terrible as his handling of the special-effects-laden action scenes, which are inept, uninteresting, repetitive and painful.

A TON of cameos and surprise visits from Marvel (and Fox) characters don't help at all, and just feel forced, sad, and in most cases, dull as hell. Lots of people show up in this thing, and it all bombs...HARD.

The plot, which is openly mocked while also trying to be sincere (again, you can't have your cake and eat it too, folks) is secondary to Reynolds smart ass remarks, mugging and all-important smug attitude.

It's all self-satisfied jibber-jabber, disguised as a movie that is an insult to anyone with an IQ above 40.

And don't get me started on how they destroy one of the only truly great comic book movies (James Mangold's brilliant "Logan," which is easily the best comic book movie ever made, because it's NOT really a comic book movie...thank God) within the first two minutes, and it goes downhill from there.

...and here's me on the bus afterwards. Yeah, I was right, it was horrible.

These "Deadpool" movies are as bad as bad movies get...only worse, because they think they are brilliant satire, and edgy social commentary.

These movies are neither...they are base, poorly made, terribly written, idiotic comedies that exist to make audiences feel clever because they are "in on the joke."

Well, you're not "in on the joke," because the joke is: they got your money, and THEY are laughing all the way to the bank, knowing that you will line up for part 4 thinking that you're on the "inside." You're not.

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